The Natya Shastra is an very old Indian long documents on the performing arts, encompassing theatre, dance and music. It was written during the period between 200 before Common Era and 200 creative editing in classical India and is traditionally attributed to the wise India's. As an audio-visual form, Natyashastra mirrors all the arts and crafts, higher knowledge, learning, sciences, Hindu system of contemplation for effecting union of the human soul with the Supreme Being, and conduct. Its purpose is to entertain as well as teach. Abhinaya is a concept in Indian dance and drama implied by calculation from Bharata's Natya Shastra.
A key text which deals with the emotions theory of race is the Natyashastra (the book used to study a subject on Drama) India's attributed to a from god the source to drama and considered it to be a fifth see. The Natyashastra mainly deals with theatre, dance and musical performance. According to the Natyashastra, the major purpose of dance, drama, ritual and poetry is catalytic in that to do with the look performance should make angry an emotion that is already present in members of the group most likely to be interested. The various elements of a performance combine to create a sympathetic response in those who experience them. furthermore, a member of the group most likely to be interested who has grew his or her own to do with the look response may experience a transformation of their own emotion into a purely to do with the look, independent feeling – an experience of from god a state of extreme happiness.
Natyasastra deals with the principal work of dramatic theory in the Sanskrit drama of classical India. This is the art for which is the base of the art forms in India. It is the traditional asset of our Indian culture.
A key text which deals with the emotions theory of race is the Natyashastra (the book used to study a subject on Drama) India's attributed to a from god the source to drama and considered it to be a fifth see. The Natyashastra mainly deals with theatre, dance and musical performance. According to the Natyashastra, the major purpose of dance, drama, ritual and poetry is catalytic in that to do with the look performance should make angry an emotion that is already present in members of the group most likely to be interested. The various elements of a performance combine to create a sympathetic response in those who experience them. furthermore, a member of the group most likely to be interested who has grew his or her own to do with the look response may experience a transformation of their own emotion into a purely to do with the look, independent feeling – an experience of from god a state of extreme happiness.
Natyasastra deals with the principal work of dramatic theory in the Sanskrit drama of classical India. This is the art for which is the base of the art forms in India. It is the traditional asset of our Indian culture.
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